Every worship leader has the experience from time to time of a service that just seems to fall flat. The songs didn’t work, or the musicians didn’t gel, or the technology didn’t cooperate, or the congregation didn’t respond. Whatever the reason(s), even in the most passionate of congregations, there are times when the singing isn’t exactly robust.
But when that’s the regular pattern, and when the congregational singing is consistently paltry, what is a worship leader to do? I would suggest that if a worship leader is observing (over a period of months or years) his or her congregation isn’t singing, that some difficult questions need to be honestly asked and answered.
In no particular order of importance, here are 15 questions a worship leader (and his or her pastor) should consider:
1. Are the songs too high? If they are, people will tune out. From C to shining C is a good rule for the average range of most singers, allowing for occasional dips down to As and Bs, and occasional peaks up to Ds or Es.
2. Are the songs too unfamiliar? Too many new songs will overwhelm people. Introduce new/unfamiliar songs at a doable pace of one or two per month, with enough revisiting of those new songs that people can grab onto them. Follow up new songs with familiar songs to build back capital.
3. Are the songs worth singing? Maybe your congregation isn’t singing along because the song isn’t particularly strong, or intended for congregational use, or something that connects at a corporate level. Have a high bar for what you put on your people’s lips. A good song, at a certain level, is almost irresistible to sing.
4. Is the volume too loud? If people can’t hear themselves (or the people around them) sing, then they will deduce that their singing isn’t important, or needed, or valued, or even worth the effort.
5. Is the volume too low? If people don’t feel supported and safe enough to sing at a comfortable volume without feeling exposed and alone, then they will hold back and stay tentative.
6. Is the room too dark? Restaurants turn down lights so people feel isolated even though they’re in close quarters. Concerts turn down lights so people look at the stage. School teachers turn down lights so their students quiet down. People are conditioned to become more insular in dark lighting, and so it shouldn’t be a surprise that when churches turn down the lights during the singing, it actually has a detrimental impact on the goal of fostering congregational singing.
7. Is it all about the platform? The more pronounced the division between the platform and the congregation, the weaker the singing. The more continuity there is between the platform and the congregation, the stronger the singing. The congregation should not feel like their contribution is meaningless. Just the opposite.
8. Is the pastor un-engaged? This probably deserves the # 1 spot on this list. An un-engaged or disinterested pastor will do more to discourage congregational singing than all the other factors on this list combined. A congregation watches, studies and ultimately emulates its pastor.