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Lament in a Broken World

The largest wound of all wounds was the crucifixion of the Lord Jesus Christ, who suffered more than anyone ever had or ever will, and with the greatest possible effect. His cry was the apex of all laments, “My God, my God. Why have you forsaken me?” (Matthew 27:46; See Psalm 22:1). It is only because of this lament that our laments gain their ultimate meaning. If the perfect Son of God can lament and not sin, so may we. Further, that anguished cry was answered by his resurrection on the third day.

Christians lament because that which is objectively good has been violated or destroyed. Creation itself is objectively good—deemed so by God himself (Genesis 1). Christians lament because objective goods have been violated. Yet humans have rebelled against God, themselves, each other and creation. As the Preacher puts it, “All things are wearisome, more than one can say” (Ecclesiastes 1:8). In Lament for a Son, Nicholas Wolterstorff notes that Jesus blessed those who mourn (Matthew 5:4), because they are “wounded visionaries,” seeking genuine goods that escape their grasp. In this sense, their godly frustration is their blessing—and the aching will one day be answered.

But when we lament, we do not do so in a void of meaninglessness. Even though many of our desires are disordered, and thus vain or evil, a good many of them remain in line with God’s desire to restore shalom. We cry out over the loss of a child, over war, over stupidity, cupidity, immortality and more. Paul was in anguish over the unbelief his countrymen.

I have great sorrow and unceasing anguish in my heart. For I could wish that I myself were cursed and cut off from Christ for the sake of my people, those of my own race, the people of Israel (Romans 9:2-4; see also 10:1).

But Paul never descended into despair or gave up the cause of Christ. Even having suffered terrible torments for Christ, he marched on, knowing that our “labor in the Lord is not in vain (1 Corinthians 15:58).

Lament is not only a literary genre of Scripture but is an indelible category of human existence east of Eden. (Consider the many Psalms of lament, such as 22, 39, 88, 90, as well the Book of Lamentations). It can be done well or poorly, but it cannot be avoided by any but sociopaths. Fallen mortals bemoan life’s suffering, often mixing their grief with outrage. Whether outwardly or only inwardly, they raise their voices, shake their fists, beat their breasts and shed hot tears. The Negro spiritual intones, “Nobody knows the trouble I’ve seen. Nobody knows but Jesus.” The blues, leaning on the spirituals, lament in a thousand ways. “Nobody knows you when you’re down and out,” cries Eric Clapton. When Duke Ellington played his wordless lament, “Mood Indigo,” on his first European tour, some in the audience wept. Even heavy metal, full of thunder, rage and debauchery, often laments life’s burdens. In Metallica’s “Master of Puppets,” the singer’s voice is the personification of cocaine. It lies, enslaves, manipulates and pulls the strings of the addicted. This is a roaring, electronic lament. But there is no hope; it is protest without promise.

We all bewail the injustices, suffering and terrors of this life, but not all worldviews make room for the full expression of human personality amidst these misfortunes. For instance, the Zen poet, Isa, lost several children and his young wife. In his deep sorrow, he went to a Zen master who told him that “life is dew.” It all passes away and one must adjust to the inevitable. This is the Buddhist teaching of non-attachment to the impermanent. But Isa, made in the image of God and wanting a better answer, wrote a short poem: “Life is dew, life is dew … and yet, and yet.” Isa could not accept the cure, because Zen did not understand the disease. Life is more than dew. Zen let him down, because it would not let him inhabit his sorrow.

If we have established something of the meaning of lament biblically and philosophically, we need delve into its practice in this world of woe and wonder, of weeping and laughing, morning and dancing (Eccles. 3:1-8).

First, those who take the Bible to be the knowable revelation of God about the things that matter most (2 Timothy 3:15-16) should discover the genre of lament in Scripture. Besides the Psalms of lament and Lamentations, perhaps Ecclesiastes is the richest biblical resource. The Teacher is weighed down by the seeming futility of life, but realizes that sadness gives needed, if unwanted, lessons.

It is better to go to a house of mourning
than to go to a house of feasting,
for death is the destiny of everyone;
the living should take this to heart.
  Frustration is better than laughter,
because a sad face is good for the heart.
  The heart of the wise is in the house of mourning,
but the heart of fools is in the house of pleasure (Ecclesiastes 7:2-4).