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Eugene Peterson: Would Jesus Condemn Rob Bell?

It was a pleasure to speak with the sagely Eugene Peterson at a consultation on Faith and Technology this past weekend. Peterson is best known for his ordinary-language translation of the Bible, called The Message, which has sold millions of copies, but he is also renowned for his many works on discipleship and spiritual theology.  He is the Professor Emeritus of Spiritual Theology at Regent College.

I spoke with Mr. Peterson about his memoir, The Pastor, and I look forward to publishing those comments.  But I also asked him — for our book feature on Love Wins — about the “Hellgate” controversy.  Peterson wrote a blurb for the back of the book that says, “It isn’t easy to develop a biblical imagination that takes in the comprehensive and eternal work of Christ…Rob Bell goes a long way in helping us acquire just such an imagination — without a trace of the soft sentimentality and without compromising an inch of evangelical conviction.”

What are your thoughts regarding Rob Bell’s book and the controversy it ignited?  What inspired you to endorse the book?

Rob Bell and anyone else who is baptized is my brother or my sister.  We have different ways of looking at things, but we are all a part of the kingdom of God.  And I don’t think that brothers and sisters in the kingdom of God should fight.  I think that’s bad family manners.

I don’t agree with everything Rob Bell says.  But I think they’re worth saying.  I think he puts a voice into the whole evangelical world which, if people will listen to it, will put you on your guard against judging people too quickly, making rapid dogmatic judgments on people.  I don’t like it when people use hell and the wrath of God as weaponry against one another.

I knew that people would jump on me for writing the endorsement.  I wrote the endorsement because I would like people to listen to him.  He may not be right.  But he’s doing something worth doing.  There’s so much polarization in the evangelical church that it’s a true scandal.  We’ve got to learn how to talk to each other and listen to each other in a civil way.

Do evangelicals need to reexamine our doctrines of hell and damnation?

Yes, I guess I do think they ought to reexamine.  They ought to be a good bit more biblical, not taking things out of context.

But the people who are against Rob Bell are not going to reexamine anything.  They have a litmus test for who is a Christian and who is not.  But that’s not what it means to live in community.

Luther said that we should read the entire Bible in terms of what drives toward Christ.  Everything has to be interpreted through Christ.  Well, if you do that, you’re going to end up with this religion of grace and forgiveness.  The only people Jesus threatens are the Pharisees.  But everybody else gets pretty generous treatment.  There’s very little Christ, very little Jesus, in these people who are fighting Rob Bell.

Microphones in Worship: Drums

microphones in worship
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The proper selection and position of microphones in worship is the basis for building a solid mix around your drummer. If you start with these basics, you will have a foundation upon which you can begin to layer the rest of the band.

Microphones in Worship: Drums

Microphone selection

This is a very subjective area, and every engineer (and drummer) has his or her preferences. Here is a list of commonly used mics and their applications, not in any particular order.

Kick Drum: AKG D-112E, or the earlier D-12E. Electrovoice RE-20, Beyer M-88, Sennheiser MD-421U, Shure Beta-52, Shure SM-91(regular or beta versions), Audio Technica AT-4060.
Snare Drum: Shure SM-57, or SM-56 (same as 57 but has tilt mount), Audio Technica AT-4053, Audix D-3, AKG D-1000E.
Toms: Sennheiser MD-421U, Sennheiser E-604, Shure SM 98 (or 98-A), AKG 408, Ramsa S-5, Audio Technica AT-4053
Overheads-Hi Hat Shure SM-81, AKG 451, or 460, Audio Technica AT-4051.

RELATED: EVERYTHING you Need to Know About Church Microphones

Placement of Microphones in Worship

Now let’s talk placement. These would be starting places, but actual placement would depend on how it SOUNDS, not how it looks. And you also have to take into account the comfort for the drummer (as big mics can be intimidating to relaxed playing), and what kind of kit is set up, what kind of stands you are using, etc.

Kick

If there is a hole cut into the front bass drum head, then the mic is inserted about 2″ inside the hole and aimed just off center to the beater. If there is no front head, then place the mic inside the drum about 1 foot in front of the strike head, again aimed just off center. Personally, I have had good luck with an AKG D-112E or EV RE-20 at the hole and a Shure SM-57 placed inside, mixing the two mics together.

Snare

For live sound, I generally don’t mic the bottom of the snare, so let’s talk about top snare placement. With a Shure SM-57, I place it over the snare, next to the mounted tom, almost flat across the drum head, angled down slightly, with the capsule about 1 inch over the head. Any more, and it will get damaged by a stick hit.

If you find it necessary to use a bottom snare drum mic, feel free to. Some guys like it to get extra buzz from the snare strainer or even a different midrange tone. I suggest that you place it under the snare drum, aimed up at the drum at an angle, about 6 inches away from the drum. Keep in mind that this is just a starting place, and you will have to experiment. Make sure you put this mic out of phase if you are using it in addition to a top snare mic.

Toms

Similar to snare micing, only with more of an angle perpendicular to the floor (or head). Even if I have concert toms, I do not mic from the bottom or inside, as there can be problems picking up all of the audio from floor monitors.

Overheads

Up over the cymbals, left and right (I use two), on stage right between the ride cymbal and 1st crash aimed a little towards the other cymbals upstage. On stage left, over the 1st crash, aimed a little towards the other cymbals upstage.

Hi-Hat

Over the hat almost perpendicular to the floor but aimed upstage a bit.

There’s more than placement to microphones in worship – see Page Two . . . 

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